Aesthetics Of Aging Essay -- Age Aging Visual

An Aesthetics Of AgingRecall, reader if eer in the mountains a mist hascaught you, with which you could not see exceptas moles do through skin Dante, Comedy1ARGUMENT THE RELEASE FROM THE BODILY egoMany recent studies on visual culture highlight the representation of the proboscis inphotography as a signifier of social constructions. photography however has always played animportant part in the construction of the subject, a perspective that I suggest in what follows,one that combines analytical concepts with aspects of the phenomenology of perception, indwelling for the understanding of art works and of our relation to them.By contrast with the overexpotiree of the dust in commercial photography,photographers in the art field today represent the personify as a visual metaphor for configurationsof interiority engaged in subject construction. Their pressure level on formal aspects (ofcomposition and technique) displaces the focus from the physical to the psychic body so as tocap ture unstable phenomena of change, of conflict in the subjects relation to time. In JoyceTennesons photographs ordinary referents are obliterated to loose space for other dimensions* This paper is an abridged and adapted transformation of a chapter in an unpublished manuscriptdevoted to photography, aging, and subject construction, entitled Touching Surfaces picture taking and the Fabric of the Subject, in Time1 This Dante fragment coming from Charles Singletons prose version of the Comedyseems to me evocative of the misty visual effect in Tennesons photographs, and also of herplacing the lens of the camera much like a mole through the skin, to look at the human bodyfrom an interstice, as it were, between the inside... ... accumulator registers Photography Magazine. June, 1987.FREUD, Sigmund. The Ego and the Id. The Standard Edition capital of the United Kingdom Hogarth Press & The embed od Psychoanalysis, 1953-1974, vol. XIX.GLISSANT, Edouard. Potique de la relation. Potique III. Paris Gallimard, 1990.GOLDBERG, Vicki. Unwritten Myths. tune-up to Transformations.MERRILL, James. Divine Poem, in Recitative. Prose by James Merrill. San FranciscoNorth Point Press, 1986.RICHIR, Marc. Le Corps. Essai sur lintriorit. Paris Hatier, 1993.WINNICOTT, D.W. Ego Distortion in Terms of authoritative and False Self, (1960). TheMaturational Process and Facilitating Environment Studies in the Theory of EmotionalDevelopment. London Hogarth Press & The Insititute of Psychoanalysis, 1965.WOLLHEIM, Richard. The Bodily Ego, The Mind and Its Depths. Cambridge, Mass.Harvard Univeristy Press, 1993.1011 Aesthetics Of Aging Essay -- Age Aging VisualAn Aesthetics Of AgingRecall, reader if ever in the mountains a mist hascaught you, through which you could not see exceptas moles do through skin Dante, Comedy1ARGUMENT THE RELEASE FROM THE BODILY EGOMany recent studies on visual culture highlight the representation of the body inphotography as a signifier of social co nstructions. Photography however has always played animportant part in the construction of the subject, a perspective that I suggest in what follows,one that combines analytical concepts with aspects of the phenomenology of perception,indispensable for the understanding of art works and of our relation to them.By contrast with the overexposure of the body in commercial photography,photographers in the art field today represent the body as a visual metaphor for configurationsof interiority engaged in subject construction. Their insistence on formal aspects (ofcomposition and technique) displaces the focus from the physical to the psychic body so as tocapture unstable phenomena of change, of conflict in the subjects relation to time. In JoyceTennesons photographs ordinary referents are obliterated to liberate space for other dimensions* This paper is an abridged and adapted version of a chapter in an unpublished manuscriptdevoted to photography, aging, and subject construction, entitl ed Touching SurfacesPhotography and the Fabric of the Subject, in Time1 This Dante fragment coming from Charles Singletons prose version of the Comedyseems to me evocative of the misty visual effect in Tennesons photographs, and also of herplacing the lens of the camera much like a mole through the skin, to look at the human bodyfrom an interstice, as it were, between the inside... ... Collectors Photography Magazine. June, 1987.FREUD, Sigmund. The Ego and the Id. The Standard Edition London Hogarth Press & TheInstitute od Psychoanalysis, 1953-1974, vol. XIX.GLISSANT, Edouard. Potique de la relation. Potique III. Paris Gallimard, 1990.GOLDBERG, Vicki. Unwritten Myths. Preface to Transformations.MERRILL, James. Divine Poem, in Recitative. Prose by James Merrill. San FranciscoNorth Point Press, 1986.RICHIR, Marc. Le Corps. Essai sur lintriorit. Paris Hatier, 1993.WINNICOTT, D.W. Ego Distortion in Terms of True and False Self, (1960). TheMaturational Process and Facilitating Environ ment Studies in the Theory of EmotionalDevelopment. London Hogarth Press & The Insititute of Psychoanalysis, 1965.WOLLHEIM, Richard. The Bodily Ego, The Mind and Its Depths. Cambridge, Mass.Harvard Univeristy Press, 1993.1011